The Shake Up

The ability of a textile to tell a story is often overlooked but our history can be seen woven into each thread just as clearly as it is written in the books. Pick up a depression-era quilt and behind the breathtaking artistry lies the embodiment of a struggle to hold a family together. Study the photograph of a US soldier during World War II and you’ll see a grim face who’s only defense against the cruel North European weather was an Olive-drab wool uniform.

And the history of the Kentucky State Fair is no different.

A textile category was established beginning with the first Kentucky fair in 1816. The non-agricultural classes were defined as “women’s” categories in the early days, but they were so much more than simple diversions to entertain farmers’ wives.  Exhibitors were serious about their entries and fair patrons were equally interested in viewing the displays. When the Kentucky State Fair was established in 1902, the antique craft continued and more than 3,000 entries of “housewifery” were submitted.

The textile category has progressed generously through 107 years. From such entries as a sweater knitted from thread dyed in Kool-Aid to a purse made by a 6-year-old from pot holders, the talent displayed each year is anything but mediocre.

But according to textile superintendent, Susan Hoferkamp, nothing compares to the generations of talent that are represented and the young children who return to compete year after year.

“It’s so rewarding to see a little girl holding her grandma’s hand come walking up with an entry in her hand,” Hoferkamp said, “ To me that’s more memorable than the entries themselves,” 

An associate at Louisville staple Dee’s Crafts, Hoferkamp likes to think of herself as the “air traffic controller” of the textile division. From recruiting judges and volunteers to encouraging patrons to compete, you could say she does a little bit of everything. She has been with the Kentucky State Fair textile division for over ten years now serving as a volunteer and assistant superintendent before gaining her current title. 

But when it comes to the coveted blue ribbon, the entries are what it is all about. Each category is judged by local individuals selected for their expertise in the field, with the exception of the quilt category in which certified judges are brought in from out of state.

However, with a category as broad as textiles, judging criteria can sometimes be a bit fuzzy. While every element is carefully considered by the judges, the skill level exhibited is what really matters.

“The judges may consider the color scheme or artistic features of an entry, but the true component of a textile piece lies in the entrant’s ability,” stated Hoferkamp.

 The craftsmanship of a textile entry is the foundation for the whole article, much like the performance of an Olympic diver or gymnast depends on technique.

The secret to submitting a good entry lies in using all the resources available to you as competitors. The premium book has been carefully constructed to educate those interested in a particular category to learn all they can about the contest before entering. Many helpful hints can be found between the lines of the general guidelines.

Beginners don’t be discouraged! If you are just testing the waters of the textile industry try starting with a small project such as knitting a scarf or embroidering a pillowcase. You may even find that you have a niche for this centuries-old craft.  If you are challenged by the simple task of reattaching a button, try the “Greetings from the State Fair” category designed specifically for those whose artistic ability lie elsewhere. This category is not concerned with skill level at all but rather how you tell a story. Contestants enter a small quilt with a top layer depicting their interpretation of the fair whether it is done by paint, sketch or another medium. Let your imagination run wild! Click here for more information.

And even if textiles aren’t your thing, make a point to walk by the showcase featured in the textile area during the fair. It doesn’t take a textile enthusiast to appreciate the beauty of a true piece of art. Or history!